Bibliothèque Université Don Bosco de Lubumbashi
Accueil
Détail de l'auteur
Auteur Volker Küster |
Documents disponibles écrits par cet auteur (5)
trié(s) par Affiner la recherche Interroger des sources externes
Beyond Inculturation — Visual Arts and Aesthetics in Inter-religious Dialogue / Volker Küster in Exchange, 39/1 (2010)
[article]
Titre : Beyond Inculturation — Visual Arts and Aesthetics in Inter-religious Dialogue Type de document : texte imprimé Auteurs : Volker Küster, Auteur Année de publication : 2010 Article en page(s) : pp. 3-5. Langues : Anglais (eng)
in Exchange > 39/1 (2010) . - pp. 3-5.[article] Beyond Inculturation — Visual Arts and Aesthetics in Inter-religious Dialogue [texte imprimé] / Volker Küster, Auteur . - 2010 . - pp. 3-5.
Langues : Anglais (eng)
in Exchange > 39/1 (2010) . - pp. 3-5.A Dialogue in Pictures. Reform Buddhism and Christianity in the Works of Ven. Hatigammana Uttarananda / Sri Lanka / Volker Küster in Exchange, 39/1 (2010)
[article]
Titre : A Dialogue in Pictures. Reform Buddhism and Christianity in the Works of Ven. Hatigammana Uttarananda / Sri Lanka Type de document : texte imprimé Auteurs : Volker Küster, Auteur Année de publication : 2010 Article en page(s) : pp. 6-28. Langues : Anglais (eng) Résumé : The monk Ven. Hatigammana Uttarananda represents a reform Buddhism that is socio-politically engaged in the conflict-ridden context of Sri Lanka. As an artist he is the Buddhist alter ego of the well-known Catholic liberation theologian Aloysius Pieris. The later commissioned Uttarananda to realize his first Christian mural in the Tulana Centre for Dialogue. With translation, questioning and exchange Uttananada's works allow exploring different patterns of interreligious dialogue.
in Exchange > 39/1 (2010) . - pp. 6-28.[article] A Dialogue in Pictures. Reform Buddhism and Christianity in the Works of Ven. Hatigammana Uttarananda / Sri Lanka [texte imprimé] / Volker Küster, Auteur . - 2010 . - pp. 6-28.
Langues : Anglais (eng)
in Exchange > 39/1 (2010) . - pp. 6-28.
Résumé : The monk Ven. Hatigammana Uttarananda represents a reform Buddhism that is socio-politically engaged in the conflict-ridden context of Sri Lanka. As an artist he is the Buddhist alter ego of the well-known Catholic liberation theologian Aloysius Pieris. The later commissioned Uttarananda to realize his first Christian mural in the Tulana Centre for Dialogue. With translation, questioning and exchange Uttananada's works allow exploring different patterns of interreligious dialogue. From Contextualization to Glocalization / Volker Küster in Exchange, 45/3 (2016)
[article]
Titre : From Contextualization to Glocalization Type de document : texte imprimé Auteurs : Volker Küster, Auteur Année de publication : 2016 Article en page(s) : 203-226 Langues : Anglais (eng)
in Exchange > 45/3 (2016) . - 203-226[article] From Contextualization to Glocalization [texte imprimé] / Volker Küster, Auteur . - 2016 . - 203-226.
Langues : Anglais (eng)
in Exchange > 45/3 (2016) . - 203-226German Writings on the History of Mission / Volker Küster in Exchange, 40/4 (2011)
[article]
Titre : German Writings on the History of Mission : A Review of Some Recent Publications in the Light of General Trends Type de document : texte imprimé Auteurs : Volker Küster, Auteur Année de publication : 2011 Article en page(s) : pp. 369–373. Langues : Anglais (eng)
in Exchange > 40/4 (2011) . - pp. 369–373.[article] German Writings on the History of Mission : A Review of Some Recent Publications in the Light of General Trends [texte imprimé] / Volker Küster, Auteur . - 2011 . - pp. 369–373.
Langues : Anglais (eng)
in Exchange > 40/4 (2011) . - pp. 369–373.Speaking of God in Memory of September 11th, 2001. An Aesthetic Approach / Volker Küster in Exchange, 36/3 (2007)
[article]
Titre : Speaking of God in Memory of September 11th, 2001. An Aesthetic Approach Type de document : texte imprimé Auteurs : Volker Küster, Auteur Année de publication : 2007 Article en page(s) : pp. 231-245. Langues : Anglais (eng) Mots-clés : 11 Septembre Islamisme Judaisme Christianisme Résumé : God talk is visual speech, even contrary to monotheistic religions' prohibition against images. The power of the images unleashed by terrorists on 9/11 is grounded in a conflict of powerful images of God that drive the combatants into this jihad and 'war against evil or terror' respectively. This article contrasts works of art portraying the violence and terror of 9/11 or the conflicts in the Muslim world with the images of 9/11 itself. Three criteria of vision, distance and inviolacy are derived from this comparative approach. They can also be used as a yardstick to gauge competing images of God. 9/11 is not the beginning of a new era as the Western media claimed but is a symbol of the repercussions of the wave of globalization initiated by the implosion of the communist block, the expansion of neo-liberal capitalism and the compression of the world by new media technologies.
in Exchange > 36/3 (2007) . - pp. 231-245.[article] Speaking of God in Memory of September 11th, 2001. An Aesthetic Approach [texte imprimé] / Volker Küster, Auteur . - 2007 . - pp. 231-245.
Langues : Anglais (eng)
in Exchange > 36/3 (2007) . - pp. 231-245.
Mots-clés : 11 Septembre Islamisme Judaisme Christianisme Résumé : God talk is visual speech, even contrary to monotheistic religions' prohibition against images. The power of the images unleashed by terrorists on 9/11 is grounded in a conflict of powerful images of God that drive the combatants into this jihad and 'war against evil or terror' respectively. This article contrasts works of art portraying the violence and terror of 9/11 or the conflicts in the Muslim world with the images of 9/11 itself. Three criteria of vision, distance and inviolacy are derived from this comparative approach. They can also be used as a yardstick to gauge competing images of God. 9/11 is not the beginning of a new era as the Western media claimed but is a symbol of the repercussions of the wave of globalization initiated by the implosion of the communist block, the expansion of neo-liberal capitalism and the compression of the world by new media technologies.